Beat Down Pro

Final Scratch – 24E1 SDH Multiplexer – EOP 8E1/Ethernet converter

Concept
Special vinyl records pressed with a digital timecode are played on normal turntables. The timecode signal is interpreted by a computer, connected to the turntables through an interface called the ScratchAmp. The signal represents where the stylus is on the record, in which direction it is traveling, and at what speed. This information is interpreted by the computer and used to play back a digital audio file which has been ‘mapped’ to the turntable.
In practical terms, this means that any audio file can be manipulated as though it were pressed on vinyl. This has a great many advantages for DJs, not least that a laptop computer can often hold tens of thousands of audio files, whilst a record box has a decidedly smaller capacity and is much heavier. Advantages/Disadvantages
This system has various advantages over using normal records, without too many serious disadvantages.
Advantages:
Portability of thousands of audio tracks, (laptop or external HDD as opposed to record box) with quick access and organization
Ability to play audio tracks unavailable on vinyl eg. pre-arranged loops, unreleased music or rare tracks
The use of CD deck features (software permitting) such as keylock, pitch shift, looping, instant cue locating and visual indicators of audio features such as loud or quiet parts
The ability to prevent needle skips on the vinyl being reflected in the playback of the audio track being played/controlled (software permitting)
Digital audio files will not degrade every time they are played, plus they can easily be backed up so if anyone should steal or accidentally damage your music collection, you may only have to replace easily obtainable hardware such as a laptop or hard drive instead of irreplaceable vinyl
Disadvantages:
Reliability; depending on the hardware/software configuration used, vinyl emulation systems may use more system resources than some laptops or PCs offer, making them unsuitable for this use. History
Final Scratch has passed through multiple stages of development. These stages are marked by involvement with different vendors, hardware configurations, software developers and operating systems. Pre-release
Final Scratch was originally developed for BeOS, and premiered at the Be Developer Conference in 1998. Versions 1.0-1.5
All versions of Final Scratch 1 use the same Scratchamp, a USB and RCA device in a round plastic shell. The technical specifications of this device have been closely guarded by Stanton as an anti-piracy measure, though some users, unsatisfied with the latency and instability of the system, have alleged the use of faulty Philips sound chips which had already been withdrawn from the market. However, the same chipset was being used in several other USB audio devices manufactured by companies like Griffin and Roland at that time.
FS 1.0 was released for PC only, on a specially modified distribution of Debian Linux. It was relatively primitive but some users found that, if configured correctly, it outperformed all subsequent versions of Final Scratch 1.x.
With version 1.1, Stanton Magnetics began working with Native Instruments on the software side of the product, which became Traktor Final Scratch. As the name suggests, this bore a resemblance to the interface of Traktor, a Native Instruments software DJing product. This version was once again available on Linux, but was also ported to Mac OS X.
The next major revision was version 1.5, which added a Windows XP version, but dropped Linux support. This version also added the ability to keep the pitch of the record constant whilst shifting the tempo. The interface changed very little, but some users initially had issues with the Windows Scratchamp drivers.
Support for the original Scratchamp has all but since disappeared and current owners, disappointed by the lack of support by Stanton, have had to rely on old versions of Traktor FS or Digiscratch. Version 2
Version 2 marks the introduction of both a new Scratchamp hardware device and different software compatibility.
This new Scratchamp made 24-bit/96 kHz digital quality playback and record possible. Stanton added an ASIO driver, and MIDI capabilities. They also replaced the USB interface with Firewire which was intended to reduce playback latency. The new Scratchamp was developed by Alan Flum, Len Bryan, Mark DeMouy and Jim Mazur.
The version 2 Scratchamp is compatible with Native Instruments Traktor DJ Studio versions 2.6 and through 3.2.0.80. NI has dropped support of SA2 in favor of their own vinyl system Traktor Scratch. Final Scratch Open
In late 2005, Stanton and Native Instruments ended their working relationship. Stanton still markets the ScratchAmp hardware as part of Final Scratch Open, introduced in early 2007. Stanton claims that the ScratchAmp can now interact with any audio software through ASIO or WDM on Windows, and CoreAudio in Mac OS X. Although all Windows and Mac audio software is ostensibly compatible with Final Scratch Open, there is no dedicated software program for deejaying with the ScratchAmp hardware. Internal workings
The internal workings of Final Scratch are quite simple to understand. Multiple open source software libraries have been created to decode the Final Scratch time code. The information here comes from those libraries.
A basic Final Scratch setup consists of five pieces of equipment.
A computer running a compatible software, usually Native Instrument’s Traktor
The ScratchAmp
Two turntables or two CD decks made for DJing
Two time coded vinyl records or time coded CDs
An audio DJ mixer. ScratchAmp
The ScratchAmp is a firewire (FS 2, FS Open) or USB (FS 1) audio device. It has two phono/line stereo level inputs to read the timecode from the record or the CD, and two line level stereo outputs to feed into the audio DJ mixer line channels. It also has two phono stereo outputs for pass-through of the actual phono audio signal. This is useful for DJs who wish to play both digital audio tracks AND traditional vinyl; allowing them to switch between the two sources without disconnecting or re-connecting audio jacks in the middle of a DJ set.
The ScratchAmp does not store any audio on its own, it is simply a purpose built external Soundcard. It communicates with a PCsually a laptopver the firewire or USB connection. The laptop uses Final Scratch compatible software (typically Traktor DJ Studio) to interpret the timecode signal from the supplied special vinyl/CD, then play back a digital audio file based on that signal, allowing traditional DJ vinyl control of MP3, WAV and Apple AAC audio files. The Laptop software then sends audio data back, over the same firewire/USB connection to the scratch amp, which then sends an audio signal out through the line level output, for playing through a DJ Mixer or Amp. Audio/data routing
A step by step series of events detailing how Final Scratch operates;
Timecoded audio signal pressed onto vinyl/CD picked up by vinyl/CD turntable
Signal routed into ScratchAmp via phono connection, then into the PC via USB or Firewire
DJ software decodes timecode signal and determines position, speed and direction the Vinyl/CD is being played or manipulated
DJ software plays the selected “mapped” digital audio file synchronous to the vinyl/CD playback
Digital audio file audio signal is sent to the Scratchamp phono connectors for connection to a DJ mixer or amp Vinyl/CD time code
The most complex piece of the Final Scratch setup is the code pressed onto the vinyl. A 1200 hertz amplitude modulated sine wave is pressed into the left and right channels with a phase difference of 90 degrees. Each channel holds one of the two bit streams required for the time code. In one cycle of either wave form, two bits are stored: one on the positive voltage peak and one on the negative voltage valley. The relative amplitudes of these peaks represent either a binary one or zero. A relatively high amplitude on either peak represents a one, a relatively low amplitude represents a zero. In each channel is a separate bitstream, the left channel is not identical to the right (disregarding the phase difference). Finding position
The time codes themselves consist of 40 individual bits, or 20 cycles on each channel’s waveform. On the right channel the bit sequence of 0, 0, 0, 1 represents the start sequence for a single time code. Those four bits along with the four corresponding bits on the left channel and the next 16 bits on each channel can be decoded as an integer position value which represents where the needle is on the record. Finding speed
The speed at which the record is spinning can be found by comparing the frequency of the waveform being read from the record to the true frequency of the wave form on the record at normal speed. This difference represents the change from the normal speed at which the record turns. Finding direction
The direction which the record is spinning at any given time can be found using the phase difference between the waves on the two channels. This procedure is the same as that used to determine the direction in which a ball mouse is moving. Issues regarding time code errors
Because a single time code is made up of 40 consecutive bits, read errors can cause a timecode to be unreadable even if a single bit is misread. A bit that has become unreadable due to a scratch can make an entire 40 bit long time code permanently unreadable. Dust can have a similar effect on the time code. The time code implements very little error checking, an attribute strong in a number of other vinyl control systems. See also
Vinyl Emulation Software Other vinyl emulation systems
Serato Scratch Live
djDecks
PCDJ Scratch
Ms Pinky
D-Vinyl 20-20
Traktor Scratch
Mixxx
xwax
Deckadance
Quad Scratch
Mixvibes External links
Native Instruments website
Stanton Website Sources
Werde, Bill (October 25, 2001), “The D.J.’s New Mix: Digital Files and a Turntable”, New York Times, http://query.nytimes.com/gst/fullpage.html?res=9B04E1DA1531F936A15753C1A9679C8B63, retrieved 2007-08-20  Categories: Music software | DJ equipment | DJing
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Being a DJ may seem like an easy work for many people. The fact of matter is there is an endless stream of would be DJ’s who are just as into the music scene as you and me. Hard working is only way to get ahead. Lots of beginners will refuse point blank to play a different genre to the type of music they are used to. This is a big mistake. Playing any type of music to any crowd is a huge confidence builder. A recent phenomenon in the musical community (but primarily within the sphere of popular music) is the assertion that some DJs are not simply “playing records” but are in fact creating new music out of the playback and mixing of the pre-recorded media.

The skill and art of DJ is far more intricate than many people appreciate. The DJ has to play a selection of music that runs nicely together and creates and experience, or journey, for his/her audience. In order to do this, the DJ has to do a lot of work behind the scenes. The DJ has to build a record collection that suits his or her chosen genre. Now, this is not an easy task. Consider how many house records are released every year. Hundreds! The DJ can’t simply collect them all. The DJ needs to find a style of music that fits well with his or her musical taste and collect music that fits into that style.

A disc jockey is an individual who selects and plays pre-recorded music for the enjoyment of others.  Various types of DJ’s require in different places. The selected music, the audience, the setting, the preferred medium, and the level of sophistication of sound manipulation are factors that differentiate the various DJ types.

Radio show host whose program consists of the playing of recorded music interspersed with light conversation and commercials or announcements; called Radio disc jockey. A modern-day commercial radio disc jockey will typically rely on his or her on-air character alone, as the station’s playlist has been predetermined by a program director or music director.

A club disc jockey selects and plays music using several turntables, CD players, or a hard-drive source, mixing the songs with a mixer and modifying the tone or sound of the recordings with equalizers and other effects. The setting can range anywhere from a neighborhood party at a private home or a small nightclub to a discothèque, a rave, or even a stadium.

Mobile DJs use DJ PA systems to cover all types of events such as, proms, parties, corporate events, conventions, national television events (usually sports), wedding receptions, bar mitzvahs, college parties, engagement party weddings, family reunions, high school parties, office parties, honeymoons and other special occasions.

WOOHAH DJS have all type of professional DJ’S (Radio DJ, Club DJ, and Mobile DJ).WOOHAH DJS was established in Dec 2001, alongside its bigger brother WooHah Productions. Our aim was to provide quality service that was best in DJ Melbourne for the local community when it came to entertainment. From small beginnings WooHah DJs have grown to respected company not only for private parties but also in the corporate and sporting spectaculars where we provide crowd entertainment for the thousand of patrons.

In March 2006, after winning the contract to Commonwealth Games in Melbourne, the business became an independent brand under the WooHah Flagship. After Several years of steady growth we are looking at rapid expansion through new management team. Jeremy Leung joined the team in January 2009 and will be heading up the business as title of General Manager. We are eager to provide the BEST DJ service in Melbourne for all functions and catering to a wide variety of music genres.

A tradition that is close to 10 years old we strive to keep the high standard and deliver our clients the WOOHAH EXPERIENCE. WooHah DJs are amongst the finest in Melbourne, not only do they have the largest and most up to date music database; their number one priority is to please the crowd. WooHah DJs know their music back to front and have play lists to suit all events, from birthdays to weddings to corporate functions.

About the Author

WOOHAH DJ is best DJ in Melbourne in world.We provide wedding and mobile DJ in Melbourne
http://www.woohah.com.au

A successful performance by a disk jockey depends on the presence of the right equipment. This, along with along with adequate musical talents plays a very important role in the career of a DJ. Having the right equipment is the best advantage a DJ can have. Any DJ gear other than real pro gear will only throw a person’s skills and techniques off. It is always advisable to get the right DJ gear the first time. The Technics-1200/1225 turntables are industry standard and are widely recommended by most DJs as a starter kit.

However, the most important thing to remember is that it is not the equipment that entertains, but is definitely the DJ himself. Owning the latest equipment won’t make a person any better as a DJ. It is possible to start up on a budget of about $2000, which will enable a person to purchase a sound system and a few lighting effects. In case the budget won’t stretch to this, a person may need to consider buying 2nd hand or leasing the equipment.

Purchasing a wide-ranging music library is far more important than how much lighting a DJ has, and should be the first consideration. A DJ can build up on the lighting, and upgrade the sound system if required once the work starts coming in to substantiate it. The most important equipment required by mobile disc jockeys consists of sound recordings in preferred medium, which is often vinyl records, compact discs and mp3s. Two devices for playback of sound recordings are also required for the purpose of alternating back and forth and creating continuous playback. A sound system meant for magnification of the recordings is required for broadcasting the music. Apart from this, a DJ may also need a mixer and a microphone.

Headphones used to listen to one recording while the other is playing, without transmitting the sound to the audience is also strongly recommended. Other equipments may also be added. These include drum machines, samplers, effects processors, and computerized performance systems. Opinions of other experienced DJs, magazines and a number of websites prove to be an efficient guide in purchasing the right kind of equipment.

DJ Equipment provides detailed information on Buy DJ Equipment, Cheap DJ Equipment, Discount DJ Equipment, DJ Equipment and more. DJ Equipment is affiliated with Virtual DJs.

Consider me a reverse snob: I love CDs. My music collection contains hundreds of them.

I still have four or five vinyl LPs and a couple dozen 45-rpm singles packed away somewhere, but I no longer have a turntable to play those relics on.

This makes me uncool in some music lovers’ eyes (or, rather, “ears”). There’s a sizeable number of audiophiles who disdain CDs and digital music in general and who decry the passing of vinyl as the standard medium of recorded sound.

Vinyl lovers assert that music sounds better–some use the term “warmer”–on records than on CDs. They also contend that the analog nature of vinyl records comes closer to capturing the original musical experience than does modern digital technology.

Frankly, I don’t see it (er, hear it). But then, maybe I don’t have sufficiently finely tuned ears.

Given the fact that, at least to my hearing–and I suspect to that of the vast majority of listeners–, there is little noticeable difference between the sound of a song on vinyl and the sound of it on CD, here are the reasons I prefer to own the latter:

1. CDs take up less room. My CD collection fills three shelves of a six-shelf bookcase, plus a standalone rack that holds maybe 150 CDs. That same amount of music on records would probably require all of my living room shelf space (i.e., five big bookcases) to hold.
2. CDs hold more songs. Vinyl long-playing albums usually contained only ten or a dozen songs. Check out any CD that is a copy of an album originally produced on vinyl; unless it has “bonus tracks” you’re unlikely to find more than 12 songs on it. Original CDs–those produced as CDs from the get-go–may contain 18, 20 or even two dozen tracks. More music is a good thing.
3. CDs open up troves of great recorded music to more people. If not for the many old records committed to CD, I probably would not have discovered the marvelously haunting blues recordings of the 1920s and ’30s. Not everyone has the knowledge, time, persistence and funds to build a collection of original 78s of this music. The advent of CDs has made this “people’s music” available to the modern masses.
4. CDs pick up less noise over time than vinyl does. Even with care, vinyl records acquire hisses, pops and scratches that never go away. Admittedly, CDs are not indestructible, either. But of the hundreds of CDs that I own–some of which have been played over and over–none has any permanent “acquired” noise that I can detect.(Yes, I am aware of reports suggesting that the earliest mass-produced CDs are prone to degrade with time. Believe me, I’m monitoring my CD collection carefully for any problems along this line. So far, nothing. In any event, today’s CDs are said to be manufactured to higher standards than the first ones were.)
5. CDs, to me, represent a cleaner form of music playback technology, less encumbered by physical constraints. Streaming audio, mp3 files and iPods take this freedom even further. Maybe it’s an aesthetic peculiar to me, but I like the notion of music that flows at the push of a button, with a minimum of human or (noticeable) machine intervention. The mere act of turning a record over to play the other side now seems quaintly antiquated and hopelessly industrial-age to me.

As you might have noticed, all of these points in favor of CDs apply even more forcefully to mp3s that one can download to a hard drive or load onto an iPod. We’ve entered an age of broad music availability, in which it possible for the average person to explore a multitude of genres and sub-genres and to enjoy the past hundred years’ worth of the greatest recorded performances and artists.

Assuredly, CDs will one day become as extinct as vinyl records. As much as I love them now, I doubt I’ll lament their passing. It just means that some better medium of recorded music will have taken their place.

Stefan Smith writes on entertainment and other subjects for the Solid Gold Info Writers Consortium. Recently, he has written an extensive review of amazing new software anyone can use to capture music audio streams from Internet radio broadcasts and break them up into individual mp3 song files–a legal way to download virtually free music. Read the review at: http://www.solid-gold.info/radio2mp3.html

Probably the first thing you want to think about before you start spending any money on getting a home recording facility together is, why do I want to record at home?

You probably already know the reason, but the clearer you are about this the better your results will be.

Do you want to just pick up your guitar on a whim and record the latest idea that’s passing by? Do you intend to record an album in its entirety at home and release it? Do you want to make podcasts to broadcast on the web? Do you want to ‘flesh out’ your musical ideas to get an idea of how the final product might sound. All are valid reasons for having your own home recording setup. Each one also suggests a particular amount of money you will need to spend to get the result you desire, and the amount of effort you need to expend making it happen.

What you will need.

From a basic standpoint you will need some way to record your performance or ideas – this could be into a Personal Computer[PC] or mac or onto a stand alone recorder. You’ll also need someway of getting the performance into the recording medium – whether that be via microphone or a piano keyboard. You will also need to find some way to ‘deliver’ your product – via mp3 mix/cd or podcast. All factors to consider as you set up you home studio.

What is best; Computer recording or stand alone?

I will confess that in my opinion and experience, the simplest and most effective way to record anything at home is with a stand alone recorder. Several years ago I recorded an entire album using Fostex DMT8, 8 tracks to do the lot- including backing vocals guitars and eveything. To those of you unfamiliar with what I mean by stand alone recorder then have a look at units from Fostex, Yamaha, Roland and others. In general they have a built in hard drive or media card which records data that you produce as a result of recording yourself. This can be as simple as engaging a ‘record’ button and playing or singing. There’s no fuss involved with this. Some of them also allow you to burn a CD at the end of the process so you can amaze your friends! There can be disadvantages as I will discuss later, but depending on your final aims as discussed earlier, you will make allowances for any shortcomings.

Recording onto a pc or Mac takes us into a more complex word, so if you’re not computer savvy, or prepared to engage in a long and sometimes frustrating journey I’d go with the stand alone unit.

Why is it more difficult to record into a PC?

Recoding into a PC has a minimum of 3 steps:

Input device-microphone/keyboard/turntable

Sound card-converts your ‘real world’ sound into computer language.

Recording software-does the job of ‘capturing’ your performance.

Once you have got your recording chain set up then it ‘can’ be as easy as using a stand alone unit, but to get to that point you have to deal with a number of factors-the #1 bugbear of most home computer recording nuts is a friendly tike called ‘latency’ .

Latency: ‘ something that is revealed later’.

For those not in the know, latency can be compared to hearing your voice echoing back from a canyon, heloooo-hellllllloooo. There is a gap between when you yell and when you hear your voice returned. If you plug in a microphone and set up your recording software and say the ubiquitous ‘hello’ you will get a similar effect!

Unless you invest in a super high end recording system such as ‘Pro Tools HD’, then this is something you need to work with as a home computer recording aficionado.

The reason we encounter latency is that the computer needs time to convert the analogue [physical sounds via electricity] into digital data; ones and naughts. With a good sound card this can take between 7 and 15 milliseconds [ yep that's 15 thousandths of a second] and then about the same number of milliseconds to convert it from a digital signal back into an electrical analogue system that we can usefully use to hear the sound coming out of the computer. Bare in mind that our ear ‘notices’ a sound as an echo at around the 50 millisecond mark [ more on this later] – so if we have a sound card with 25millisecond [ms] input delay and 25 ms output delay then our ear will perceive it as an echo- not much good to play along with as we will be out of time.

That’s pretty useless you might shriek, so how do people manage to do all this computer recording stuff at home? A-ha. Those clever people who make sound cards m-audio, Presonus, Yamaha etc have done something very clever, they instigated a process called ‘direct monitoring’.

Direct monitoring allows us to hear the incoming sound at its source- straight after you have plugged it in- instead of through the computer where you will pick up a substantive delay. You can still listen ‘though the computer’ if you choose, but in my experience it’s pretty distracting especially with large latency times. The other thing that your clever software program/soundcard combo will do is to record your new track in time with the others by making allowances for the current latency times.

In summary; For ease of use and less technology hassles get a stand alone hard disk recorder. For more complex productions consider getting a computer/soundcard/software combo, but be prepared for a sharp learning curve.

For more information on home recording visit www.myhomerecordingstudio.com
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Top Dj Equipment and Set List Resources

A Mobile DJ is an entertainer that travels to locations to provide entertainment for a specific event. Where will you see a Mobile DJ? You’ll see a Mobile DJ providing entertainment for Birthday Parties, Sweet 16’s, Bar-Bat Mitzvahs, Weddings, Class Reunions, Graduation Parties, Corporate Parties, etc.

Mobile DJ’s (somewhat of an oxymoron before the turn of the 21st century) weren’t so mobile. You would see 2 large turntables, a big mixer, big amplifier, big speakers, huge heavy crates full of 78’s, lots of wires, and just too much stuff and not easily mobile. Although Big Club DJ’s and some “old school” DJ’s still love spinning on turntables, it’s just not efficient for a typical Event DJ. As technology gets smaller and more efficient, DJ’ing equipment is becoming much easier to transport, set-up, and operate.

The DJ’s that use the larger turntable systems look and sound amazing while beat mixing but you won’t see many of them DJ’ing smaller events that may just require some background music. A kid with an iPod, with a good playlist, and speakers can probably provide decent songs while a big turntable mixing system is just overkill. A good mobile DJ with the right equipment can be very profitable and successful at these events and can even begin building a reputable DJ business. As the business builds, and gigs begin to accumulate, it’s important to have DJ equipment that is reliable, easy to set-up, and effective.

When looking for reliable equipment as a Mobile DJ, it’s important to look for “name” brands. Even with name brands, a DJ has a choice between lower quality-lower prices, higher-quality, higher-prices. For MP3 and CD Players, names like Gemini and American Audio are cheaper “name” brands but they are lower in quality than Denon or Pioneer. Numark, previously a mid-level quality company has been reaching new technology (check out Newmarks, NS7FX) that is beginning to compete with the big boys.

Here are some of the most popular Dual CD/MP3 Players with example-averaged prices being used by DJ’s: Gemini CDMP-6000 ($399.95), Gemini CDX-2400 Rackmount ($170.00), American Audio CK 1000 Table Top Dual ($399.00), American Audio Velocity Professional Dual ($599.00), Numark CD Mix-1 Dual (199.00), Numark CDN22 Rack Mount Dual CD Player (149.00), Denon DN-D6000 Dual CD MP3 Player ($850.00), Pioneer CMX-3000 Dual Rackmount CD Player ($1,000).

You can obviously see a price difference but you will experience a noticeable difference in quality between a cd controller selling for $200 as opposed to the Pioneer CMX for a grand.

Some Mobile DJ’s have even decided to make their set-up even more mobile by doing away with CD’s and purchasing MP3 Players that have external hard drive or iPod connections. I run all my parties with MP3’s no CD’s. Although I have a Denon 4500 CD player in my system, it is only used if someone has cd they want me to play.

Here are some of the most popular MP3 players with example averaged prices. Numark’s IDJ Mixing Console for iPod ($160.00), Numark’s IDJ2 DJ Console for the IPod and External Hard Drive connections ($399.00), Numark’s D2 Director Mass Storage Player and Manager, Denon DN-HD2500 Hard Disk Media ($599.00), Pioneer MEP-7000 Professional Media Player with CD Decks ($1400).

Some of these units can be used as controllers for popular Laptop Mixing Software like Traktor, Virtual DJ, PCDC, and Serato Scratch. There are popular controllers like the Vestax VCI-100MV Mixvibes Edition DJ Controller that is specifically designed to control laptop software. Numark’s NS7 DJ ($1300.00) is getting some big attention from Serato users.

If DJ’ing on a laptop, consider using that laptop solely for DJ’ing. Other programs or files on the laptop can slow the necessary processing speed.

Once a Mobile DJ has a player, now a good mixer has to be considered. Again, there are good name brands with lower quality-lower prices and good name brands with higher quality-higher prices. Behringer is a dependable brand on the lower end. Consider the Behringer DX626 Pro Mixer ($100.00), Vestax PMC-280 4 Channel DJ Mixer With Digital Effects ($499.00), Denon DN-X1100 4 Channel DJ Mixer ($700.00), or the Pioneer DJM-800 Professional Mixer ($1,700.00). A Mobile DJ can’t go wrong with any of these selections but the pricier mixers do offer more features like effects, more mic inputs, talk over, etc.

Once a Player is selected, and a Mixer is selected, all that’s left are some good powerful speakers. The best type of speakers a mobile DJ can use is Active/Powered Speakers. Passive speakers would require an amplifier or a powered mixer with more weight added to the rig. A DJ can run an XLR cable out of the mixers, plug directly into the powered speakers, plug the speakers in, and voile, sound!

There are a few decent companies that I could suggest. Here are a few products: Behringer Eurolive B208D Active PA ($180.00), American Audio XSP-10A Powered Speaker ($200.00). Here are the companies that I highly recommend: Mackie, JBL, and RCF. Mackie SRM450 v2 Active PA ($500.00), Mackie SRM350 v2 Active, JBL EON515 450 Watt 15″ Powered ($800.00), JBL PRX535 3 Way 15″ ($1000.00), RCF ART312A or RCFART315A Powered Speakers 15″ ($1100.00).

A Mobile DJ should have a pretty simple Set-up. At this point we have discussed a Media Player (CD/MP3 or only MP3), Mixer, and Powered Speakers. This is all the equipment that is necessary for Mobile DJ.

A good case with a sturdy rack should be considered as well ($200-$400). The Player and Mixer will be screwed down on the top, and in the front of the rack you’ll have the dual cd decks (if a cd player is purchased) and a power strip to plug everything in. Now the rig is; 2 speakers, the case with all the components all safe and secured, a bag with wires (xlr cables, rca cables, etc.), and speaker poles.

Now all you’ll need is music and set lists. Besides learning how the equipment works, this is the hardest part of DJ’ing. Good set lists and great music is what separates good DJs from bad DJs no matter how expensive or elaborate their equipment is. Djs who have been entertaining for a long time have learned from experience what songs work for specific sets.

Where do new DJs or Intermediate DJs go to learn set-mixes that work? A website has been developed for Event/Mobile DJs to give DJs immediate access to Set lists for all types of parties; Weddings, Birthdays, Kids, Sweet 16’s, Graduations, and great mixes for popular dance music, updated monthly. It can also be a resource site for DJ’s to go and get all types of helpful tips, how-to’s, and information, song programming techniques, and event forms.

Being a mobile DJ is fun, exciting, and very profitable! As technology gets smaller and easier to use,more and more people will be trying to master DJ’ing. Technology is only half of the skill. The other half of being a great Mobile DJ is knowing your music and being confident in your set lists. Having Good Equipment and great Musical programming will make a great Mobile DJ in the 21st century. The right training could really help. You can get some great dj tricks and tips at ­DJ Masterminds and get your musical set lists and dj equipment ideas at ­MixesThatWork

About the Author

http://www.mixesthatwork.com is our DJ resource site with valuable information and music programming tips that the most experienced DJ’s are willing to share. With over a Decade of DJ’ing, MC’ing, and Entertaining, I love sharing success with other DJ’s to ensure the quality and standards of our industry.  Signed JJPeterson.

• 20 knobs, 5 faders, 31 buttons all send MIDI data
• CUE LE 5.0 and Traktor LE included with controls premapped
• Easy to learn mixer / CD player layout
• USB bus powered (no adapter needed)
• Mac OSX and Windows XP classcompliant / No driver needed

Product Description
THE MISSING LINK FOR SOFTWARE DJS! Numark’s Total Control is a DJ software controller for DJs who yearn for the control they left behind when they switched from a traditional mixer to the multi–processing power of laptop DJing. Total Control is a fully class–compliant USB MIDI device and is the ultimate tool for any performing computer DJ seeking total control of their software. Total Control’s 31 buttons, 20 knobs and 5 faders send MIDI data from the co… More >>

Numark Total Control USB MIDI DJ Software Controller

• USB Control Surface
• Bass, Mid, and Treble Controls
• CUE LE software with automatic beat matching
• DJ-style crossfader

Product Description
You can be the DJ. Mix and scratch the music on your computer with iCUE. Load the included Numark CUE LE software and plug in iCUE with the standard USB cable and you’re ready to be a star DJ.iCUE works with all of your MP3s and other music. It’s just like working with vinyl records or CDs, except you just drag tracks from your library to the left and right decks on the screen to play them. Then you can cue them up, mix between them with the DJ crossfader, scratch, … More >>

ION Audio iCUE MP3 Computer Music Mixing Station with Software

• PLTTB3U: Direct Drive turntable, +/-10% Variable Pitch Slider, USB COnnection For Conversion of Vinyl to Digital Media
• Plug Directly to Computer (PC/MAC), Audacity Recording Software Included, Line Level RCA Outputs (with Buitl-In Pre-Amp)
• 33-1.3-45 RPM Speed Selector, Soft Touch Start/ Stop Buttons, Removable Stroboscope light (Not included), Headshell
• PP999: Connects to Turntable Output to bring Phono Level Up to Line Level, 12V DC 110V Adaptor Included, Load Impedance: 10K Ohms
• Input Sensitivity / Impedance/ PHONO 3mV/50K Ohms, T.H.D. : 0.08 for 1 KHz 3 mV Input, Output Level;2V, S/N Ratio (with A-WTD);

Product Description
PLTTB3U Dimensions: 16.5″H x 13.4″W x 3.86″D.. PP999 Dimensions: 3.54″W x 2.13″H x 1.02″D Weight : 0.88 Lbs… More >>

Pyle Super DJ Turntable Package — PLTTB3U Belt Drive USB Turntable With Recording & Digital Software + PP-999 Phono Turntable Pre-Amp.

• High-resolution controller built for Serato ITCH and compatible with Scratch LIVE libraries
• Direct-drive, motorized turntable platters with classic and modern feel settings
• Includes Serato ITCH DJ software, fully pre-mapped
• Audiophile-grade audio circuitry with mic and line inputs, system and cue outs
• Strip Search (patent pending) virtual-needle-drop control

Product Description
There’s NS7… and then there’s everything else. Designed by Numark in collaboration with Serato, NS7 represents the pinnacle of DJ performance control. NS7 combines an all-metal chassis with adjustable torque, motorized, aluminum-turntable platters, vinyl, and a professional audio interface to deliver a complete performance solution that will satisfy even the most hardcore turntablist. A full complement of premium faders, knobs, buttons and our new Strip Searc… More >>

Numark NS7 DJ Turntable Controller with Serato ITCH Software

• Plug & Play USB – no drivers needed!
• Adjustable Anti-Skate control for increased stereo balancing
• 33 1/3 and 45 RPM
• Supports the recording of 78 RPM records through the included software
• Switchable Phono/Line-level RCA output (with built-in pre-amp)

Product Description
The Ion Audio ITTUSB 10 is ideal for archiving your records and preserving them for years to come.With the iTTUSB 10, it has never been easier to preserve your most memorable music favorites to digital media, such as CDs, hard disk, or portable media devices. The iTTUSB 10 sports a sleek design and includes easy-to-use audio recording software for your computer. And with a stereo input (1/8-inch minijack), you can also digitize music from cassettes or other analog s… More >>

Ion Audio TTUSB 10 Vinyl Recording USB turntable with Audacity Software, Dust Cover and Analog Stereo Input

What are your thoughts? Think before you answer. Consider what each one can do and what progressions can be made in the future. What do you think is the future for DJ’s? Will it stay vinyl all the way or will MP3’s take over?

Alright so i want to DJ a party or two(mainly because all the DJ’s here have horrible taste, and the party goers suffer dearly) and then maybe i will buy cd or turntables. I want to create a music set and mix(in real time or otherwise…) different songs from a plethera of genre’s, what software would i need…

I already have stereo outputs on for my cpu and i can rent a p.a.

I have no dj experience at all and all I have is a computer. I’d like to start mixing audio and trying to make some techno mixes. Is there any software that someone would recommend? I have no experience and I don’t have turntables either. Thank you!

A turntable program

Hello,
I have always been into electronic music and want to get started into DJing. I have a very strong musical background and can play just about any instrument you hand me.

Unfortunately, I do not have any turntables or mixers, or money to buy any, and was wondering if there are any good computer programs that allow me to mix music strictly electronically from music files already on my computer.

Thanks!

Hey, does anyone know a free to download dj mixing software that has a time-coded system, i want to be able to plug my cd players into my laptop useing a sound card and they appear on my screan on two virtual turntables or something like that.Any help would be great, thanks!

I’m a beginning DJ and would appreciate any suggestions for DJ softwares, turntables, and/or mixers or even places to go for DJ equipment.
I am in the Los Angeles area, in case that helps with suggestions of where to shop.

I wanna just use a software for my computer i dont want to have any additional hardware like a turntable or mixer. is there any software that lets me do that
i have virtual dj but all the tutorials show you need like external hardware

Ok, Ive recently decided (after about a year of producing music) that i think it would be a good idea to learn to DJ to help promote my music and other peoples…Ive been looking around and have come to the decision that ill like to start with a DVS(Digital vinyl system) as i cannot afford vinyl and this would be a great substitute. I don’t know much about DJ’ing at all (Mostly what hardware + software too get).

After looking around some websites i found some software like this,

http://www.chemical-records.co.uk/sc/servlet/Info?Track=RELOOPSPIN2P

But i have some questions.
.Would i be able to buy any turntables and mixer and be able to use them with ReLoop?
.Would a need a particularly high spec laptop to use the software with?

Also,
I would find it very help full if someone could post me a couple of links for some hardware and software that would cater for my needs, i have a budjet of around £400-£500 but dont worry about going over it. Im just so lost with it all i dont know where to start!

Any feedback would be very much appreciated.

Thanks
Aidan

P.S. I would preffer some direct drive turntables but would settle for other options.

I got Audacity but I’m look for a free dj mixing software,were I can mix my own beats and make them dope. And I’m looking for something that has virtual turntables so I can do some scratches on the beats. Any free program like that,not a trial,and not from limewire,just a free program like that. Thanks.

I have a pair of Stanton Str8-60 turntables, mixer, etc (Scratch Pak II). Can I add some kind of DJ software (like Serato or Virtual DJ) so I don’t have to carry Vinyl around? My main concern is if I can use the turntable set-up I have now. If so, how do you do it? Thank you for any help!

I’ve been looking for a way to learn the basics of sampling and djing using a program such as Ableton Live. I’m not looking to learn to beat match using turntables but i want to sample things like Daft Punk and Girl Talk do in their sets. Please help

I happended to be intrested in remixing music and everything just 2years ago, using LIVE SYSTEM,immitating to remix music as a DJ. Sometimes there are good music which I created. I heard that there are sets of tools like— I want to know what brand is the best, compare on price,function and everything… and any good brand for a turntable for that set?

I have a trial of virtual dj… and I am really just wanting to get a feel for DJing using my computer, I’m not sure I want to spend 350 on the program. Any freeware programs out there that can be used?
I mean like virtual DJ but only — where i could loan an mp3 file and scratch it with the turntable..

I have two stanton direct drive turntables and a stanton mixer, the mixer has no way to connect to a computer but say I get a mixer like the Numark M1 with USB connection will I be able to use my tables in a program like virtual dj or MUST I get a rane serato interface to connect?