Beat Down Pro

Final Scratch – 24E1 SDH Multiplexer – EOP 8E1/Ethernet converter

Concept
Special vinyl records pressed with a digital timecode are played on normal turntables. The timecode signal is interpreted by a computer, connected to the turntables through an interface called the ScratchAmp. The signal represents where the stylus is on the record, in which direction it is traveling, and at what speed. This information is interpreted by the computer and used to play back a digital audio file which has been ‘mapped’ to the turntable.
In practical terms, this means that any audio file can be manipulated as though it were pressed on vinyl. This has a great many advantages for DJs, not least that a laptop computer can often hold tens of thousands of audio files, whilst a record box has a decidedly smaller capacity and is much heavier. Advantages/Disadvantages
This system has various advantages over using normal records, without too many serious disadvantages.
Advantages:
Portability of thousands of audio tracks, (laptop or external HDD as opposed to record box) with quick access and organization
Ability to play audio tracks unavailable on vinyl eg. pre-arranged loops, unreleased music or rare tracks
The use of CD deck features (software permitting) such as keylock, pitch shift, looping, instant cue locating and visual indicators of audio features such as loud or quiet parts
The ability to prevent needle skips on the vinyl being reflected in the playback of the audio track being played/controlled (software permitting)
Digital audio files will not degrade every time they are played, plus they can easily be backed up so if anyone should steal or accidentally damage your music collection, you may only have to replace easily obtainable hardware such as a laptop or hard drive instead of irreplaceable vinyl
Disadvantages:
Reliability; depending on the hardware/software configuration used, vinyl emulation systems may use more system resources than some laptops or PCs offer, making them unsuitable for this use. History
Final Scratch has passed through multiple stages of development. These stages are marked by involvement with different vendors, hardware configurations, software developers and operating systems. Pre-release
Final Scratch was originally developed for BeOS, and premiered at the Be Developer Conference in 1998. Versions 1.0-1.5
All versions of Final Scratch 1 use the same Scratchamp, a USB and RCA device in a round plastic shell. The technical specifications of this device have been closely guarded by Stanton as an anti-piracy measure, though some users, unsatisfied with the latency and instability of the system, have alleged the use of faulty Philips sound chips which had already been withdrawn from the market. However, the same chipset was being used in several other USB audio devices manufactured by companies like Griffin and Roland at that time.
FS 1.0 was released for PC only, on a specially modified distribution of Debian Linux. It was relatively primitive but some users found that, if configured correctly, it outperformed all subsequent versions of Final Scratch 1.x.
With version 1.1, Stanton Magnetics began working with Native Instruments on the software side of the product, which became Traktor Final Scratch. As the name suggests, this bore a resemblance to the interface of Traktor, a Native Instruments software DJing product. This version was once again available on Linux, but was also ported to Mac OS X.
The next major revision was version 1.5, which added a Windows XP version, but dropped Linux support. This version also added the ability to keep the pitch of the record constant whilst shifting the tempo. The interface changed very little, but some users initially had issues with the Windows Scratchamp drivers.
Support for the original Scratchamp has all but since disappeared and current owners, disappointed by the lack of support by Stanton, have had to rely on old versions of Traktor FS or Digiscratch. Version 2
Version 2 marks the introduction of both a new Scratchamp hardware device and different software compatibility.
This new Scratchamp made 24-bit/96 kHz digital quality playback and record possible. Stanton added an ASIO driver, and MIDI capabilities. They also replaced the USB interface with Firewire which was intended to reduce playback latency. The new Scratchamp was developed by Alan Flum, Len Bryan, Mark DeMouy and Jim Mazur.
The version 2 Scratchamp is compatible with Native Instruments Traktor DJ Studio versions 2.6 and through 3.2.0.80. NI has dropped support of SA2 in favor of their own vinyl system Traktor Scratch. Final Scratch Open
In late 2005, Stanton and Native Instruments ended their working relationship. Stanton still markets the ScratchAmp hardware as part of Final Scratch Open, introduced in early 2007. Stanton claims that the ScratchAmp can now interact with any audio software through ASIO or WDM on Windows, and CoreAudio in Mac OS X. Although all Windows and Mac audio software is ostensibly compatible with Final Scratch Open, there is no dedicated software program for deejaying with the ScratchAmp hardware. Internal workings
The internal workings of Final Scratch are quite simple to understand. Multiple open source software libraries have been created to decode the Final Scratch time code. The information here comes from those libraries.
A basic Final Scratch setup consists of five pieces of equipment.
A computer running a compatible software, usually Native Instrument’s Traktor
The ScratchAmp
Two turntables or two CD decks made for DJing
Two time coded vinyl records or time coded CDs
An audio DJ mixer. ScratchAmp
The ScratchAmp is a firewire (FS 2, FS Open) or USB (FS 1) audio device. It has two phono/line stereo level inputs to read the timecode from the record or the CD, and two line level stereo outputs to feed into the audio DJ mixer line channels. It also has two phono stereo outputs for pass-through of the actual phono audio signal. This is useful for DJs who wish to play both digital audio tracks AND traditional vinyl; allowing them to switch between the two sources without disconnecting or re-connecting audio jacks in the middle of a DJ set.
The ScratchAmp does not store any audio on its own, it is simply a purpose built external Soundcard. It communicates with a PCsually a laptopver the firewire or USB connection. The laptop uses Final Scratch compatible software (typically Traktor DJ Studio) to interpret the timecode signal from the supplied special vinyl/CD, then play back a digital audio file based on that signal, allowing traditional DJ vinyl control of MP3, WAV and Apple AAC audio files. The Laptop software then sends audio data back, over the same firewire/USB connection to the scratch amp, which then sends an audio signal out through the line level output, for playing through a DJ Mixer or Amp. Audio/data routing
A step by step series of events detailing how Final Scratch operates;
Timecoded audio signal pressed onto vinyl/CD picked up by vinyl/CD turntable
Signal routed into ScratchAmp via phono connection, then into the PC via USB or Firewire
DJ software decodes timecode signal and determines position, speed and direction the Vinyl/CD is being played or manipulated
DJ software plays the selected “mapped” digital audio file synchronous to the vinyl/CD playback
Digital audio file audio signal is sent to the Scratchamp phono connectors for connection to a DJ mixer or amp Vinyl/CD time code
The most complex piece of the Final Scratch setup is the code pressed onto the vinyl. A 1200 hertz amplitude modulated sine wave is pressed into the left and right channels with a phase difference of 90 degrees. Each channel holds one of the two bit streams required for the time code. In one cycle of either wave form, two bits are stored: one on the positive voltage peak and one on the negative voltage valley. The relative amplitudes of these peaks represent either a binary one or zero. A relatively high amplitude on either peak represents a one, a relatively low amplitude represents a zero. In each channel is a separate bitstream, the left channel is not identical to the right (disregarding the phase difference). Finding position
The time codes themselves consist of 40 individual bits, or 20 cycles on each channel’s waveform. On the right channel the bit sequence of 0, 0, 0, 1 represents the start sequence for a single time code. Those four bits along with the four corresponding bits on the left channel and the next 16 bits on each channel can be decoded as an integer position value which represents where the needle is on the record. Finding speed
The speed at which the record is spinning can be found by comparing the frequency of the waveform being read from the record to the true frequency of the wave form on the record at normal speed. This difference represents the change from the normal speed at which the record turns. Finding direction
The direction which the record is spinning at any given time can be found using the phase difference between the waves on the two channels. This procedure is the same as that used to determine the direction in which a ball mouse is moving. Issues regarding time code errors
Because a single time code is made up of 40 consecutive bits, read errors can cause a timecode to be unreadable even if a single bit is misread. A bit that has become unreadable due to a scratch can make an entire 40 bit long time code permanently unreadable. Dust can have a similar effect on the time code. The time code implements very little error checking, an attribute strong in a number of other vinyl control systems. See also
Vinyl Emulation Software Other vinyl emulation systems
Serato Scratch Live
djDecks
PCDJ Scratch
Ms Pinky
D-Vinyl 20-20
Traktor Scratch
Mixxx
xwax
Deckadance
Quad Scratch
Mixvibes External links
Native Instruments website
Stanton Website Sources
Werde, Bill (October 25, 2001), “The D.J.’s New Mix: Digital Files and a Turntable”, New York Times, http://query.nytimes.com/gst/fullpage.html?res=9B04E1DA1531F936A15753C1A9679C8B63, retrieved 2007-08-20  Categories: Music software | DJ equipment | DJing
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Being a DJ may seem like an easy work for many people. The fact of matter is there is an endless stream of would be DJ’s who are just as into the music scene as you and me. Hard working is only way to get ahead. Lots of beginners will refuse point blank to play a different genre to the type of music they are used to. This is a big mistake. Playing any type of music to any crowd is a huge confidence builder. A recent phenomenon in the musical community (but primarily within the sphere of popular music) is the assertion that some DJs are not simply “playing records” but are in fact creating new music out of the playback and mixing of the pre-recorded media.

The skill and art of DJ is far more intricate than many people appreciate. The DJ has to play a selection of music that runs nicely together and creates and experience, or journey, for his/her audience. In order to do this, the DJ has to do a lot of work behind the scenes. The DJ has to build a record collection that suits his or her chosen genre. Now, this is not an easy task. Consider how many house records are released every year. Hundreds! The DJ can’t simply collect them all. The DJ needs to find a style of music that fits well with his or her musical taste and collect music that fits into that style.

A disc jockey is an individual who selects and plays pre-recorded music for the enjoyment of others.  Various types of DJ’s require in different places. The selected music, the audience, the setting, the preferred medium, and the level of sophistication of sound manipulation are factors that differentiate the various DJ types.

Radio show host whose program consists of the playing of recorded music interspersed with light conversation and commercials or announcements; called Radio disc jockey. A modern-day commercial radio disc jockey will typically rely on his or her on-air character alone, as the station’s playlist has been predetermined by a program director or music director.

A club disc jockey selects and plays music using several turntables, CD players, or a hard-drive source, mixing the songs with a mixer and modifying the tone or sound of the recordings with equalizers and other effects. The setting can range anywhere from a neighborhood party at a private home or a small nightclub to a discothèque, a rave, or even a stadium.

Mobile DJs use DJ PA systems to cover all types of events such as, proms, parties, corporate events, conventions, national television events (usually sports), wedding receptions, bar mitzvahs, college parties, engagement party weddings, family reunions, high school parties, office parties, honeymoons and other special occasions.

WOOHAH DJS have all type of professional DJ’S (Radio DJ, Club DJ, and Mobile DJ).WOOHAH DJS was established in Dec 2001, alongside its bigger brother WooHah Productions. Our aim was to provide quality service that was best in DJ Melbourne for the local community when it came to entertainment. From small beginnings WooHah DJs have grown to respected company not only for private parties but also in the corporate and sporting spectaculars where we provide crowd entertainment for the thousand of patrons.

In March 2006, after winning the contract to Commonwealth Games in Melbourne, the business became an independent brand under the WooHah Flagship. After Several years of steady growth we are looking at rapid expansion through new management team. Jeremy Leung joined the team in January 2009 and will be heading up the business as title of General Manager. We are eager to provide the BEST DJ service in Melbourne for all functions and catering to a wide variety of music genres.

A tradition that is close to 10 years old we strive to keep the high standard and deliver our clients the WOOHAH EXPERIENCE. WooHah DJs are amongst the finest in Melbourne, not only do they have the largest and most up to date music database; their number one priority is to please the crowd. WooHah DJs know their music back to front and have play lists to suit all events, from birthdays to weddings to corporate functions.

About the Author

WOOHAH DJ is best DJ in Melbourne in world.We provide wedding and mobile DJ in Melbourne
http://www.woohah.com.au

A successful performance by a disk jockey depends on the presence of the right equipment. This, along with along with adequate musical talents plays a very important role in the career of a DJ. Having the right equipment is the best advantage a DJ can have. Any DJ gear other than real pro gear will only throw a person’s skills and techniques off. It is always advisable to get the right DJ gear the first time. The Technics-1200/1225 turntables are industry standard and are widely recommended by most DJs as a starter kit.

However, the most important thing to remember is that it is not the equipment that entertains, but is definitely the DJ himself. Owning the latest equipment won’t make a person any better as a DJ. It is possible to start up on a budget of about $2000, which will enable a person to purchase a sound system and a few lighting effects. In case the budget won’t stretch to this, a person may need to consider buying 2nd hand or leasing the equipment.

Purchasing a wide-ranging music library is far more important than how much lighting a DJ has, and should be the first consideration. A DJ can build up on the lighting, and upgrade the sound system if required once the work starts coming in to substantiate it. The most important equipment required by mobile disc jockeys consists of sound recordings in preferred medium, which is often vinyl records, compact discs and mp3s. Two devices for playback of sound recordings are also required for the purpose of alternating back and forth and creating continuous playback. A sound system meant for magnification of the recordings is required for broadcasting the music. Apart from this, a DJ may also need a mixer and a microphone.

Headphones used to listen to one recording while the other is playing, without transmitting the sound to the audience is also strongly recommended. Other equipments may also be added. These include drum machines, samplers, effects processors, and computerized performance systems. Opinions of other experienced DJs, magazines and a number of websites prove to be an efficient guide in purchasing the right kind of equipment.

DJ Equipment provides detailed information on Buy DJ Equipment, Cheap DJ Equipment, Discount DJ Equipment, DJ Equipment and more. DJ Equipment is affiliated with Virtual DJs.

Consider me a reverse snob: I love CDs. My music collection contains hundreds of them.

I still have four or five vinyl LPs and a couple dozen 45-rpm singles packed away somewhere, but I no longer have a turntable to play those relics on.

This makes me uncool in some music lovers’ eyes (or, rather, “ears”). There’s a sizeable number of audiophiles who disdain CDs and digital music in general and who decry the passing of vinyl as the standard medium of recorded sound.

Vinyl lovers assert that music sounds better–some use the term “warmer”–on records than on CDs. They also contend that the analog nature of vinyl records comes closer to capturing the original musical experience than does modern digital technology.

Frankly, I don’t see it (er, hear it). But then, maybe I don’t have sufficiently finely tuned ears.

Given the fact that, at least to my hearing–and I suspect to that of the vast majority of listeners–, there is little noticeable difference between the sound of a song on vinyl and the sound of it on CD, here are the reasons I prefer to own the latter:

1. CDs take up less room. My CD collection fills three shelves of a six-shelf bookcase, plus a standalone rack that holds maybe 150 CDs. That same amount of music on records would probably require all of my living room shelf space (i.e., five big bookcases) to hold.
2. CDs hold more songs. Vinyl long-playing albums usually contained only ten or a dozen songs. Check out any CD that is a copy of an album originally produced on vinyl; unless it has “bonus tracks” you’re unlikely to find more than 12 songs on it. Original CDs–those produced as CDs from the get-go–may contain 18, 20 or even two dozen tracks. More music is a good thing.
3. CDs open up troves of great recorded music to more people. If not for the many old records committed to CD, I probably would not have discovered the marvelously haunting blues recordings of the 1920s and ’30s. Not everyone has the knowledge, time, persistence and funds to build a collection of original 78s of this music. The advent of CDs has made this “people’s music” available to the modern masses.
4. CDs pick up less noise over time than vinyl does. Even with care, vinyl records acquire hisses, pops and scratches that never go away. Admittedly, CDs are not indestructible, either. But of the hundreds of CDs that I own–some of which have been played over and over–none has any permanent “acquired” noise that I can detect.(Yes, I am aware of reports suggesting that the earliest mass-produced CDs are prone to degrade with time. Believe me, I’m monitoring my CD collection carefully for any problems along this line. So far, nothing. In any event, today’s CDs are said to be manufactured to higher standards than the first ones were.)
5. CDs, to me, represent a cleaner form of music playback technology, less encumbered by physical constraints. Streaming audio, mp3 files and iPods take this freedom even further. Maybe it’s an aesthetic peculiar to me, but I like the notion of music that flows at the push of a button, with a minimum of human or (noticeable) machine intervention. The mere act of turning a record over to play the other side now seems quaintly antiquated and hopelessly industrial-age to me.

As you might have noticed, all of these points in favor of CDs apply even more forcefully to mp3s that one can download to a hard drive or load onto an iPod. We’ve entered an age of broad music availability, in which it possible for the average person to explore a multitude of genres and sub-genres and to enjoy the past hundred years’ worth of the greatest recorded performances and artists.

Assuredly, CDs will one day become as extinct as vinyl records. As much as I love them now, I doubt I’ll lament their passing. It just means that some better medium of recorded music will have taken their place.

Stefan Smith writes on entertainment and other subjects for the Solid Gold Info Writers Consortium. Recently, he has written an extensive review of amazing new software anyone can use to capture music audio streams from Internet radio broadcasts and break them up into individual mp3 song files–a legal way to download virtually free music. Read the review at: http://www.solid-gold.info/radio2mp3.html

Buying Music and Starting a Collection Once you have your DJ equipment set up, the real journey begins: learning how to mix. Obviously in order to do this you need music, and plenty of it! To be a true DJ, you need to have a real passion for music and the way it sounds, both in isolation and in a sequence.

Many great DJ’s were cutting and editing DIY tapes well before they ever purchased a set of turntables, just because they were fascinated with the idea of continuous back to back music. You are joining a worldwide community of people who spent their school days hanging out in record shops, tuning in to crackly pirate radio stations late into the night, passing around hot mix tapes and desperately seeking through piles of records to find the elusive gem at the top of a cherished ‘wants’ list. There is an excitement and a hunger for music that must accompany DJing. If you don’t have it, then you will not develop that all important suicidal approach to bank balances that a record collection encourages!

For the modern DJ, you have 3 main options (depending on your equipment choice) which are vinyl, CD and downloaded mp3/wav files. It is unhelpful to get caught up in the ‘format war” argument as music is music however you choose to buy it. Many DJ’s have such a fondness for records, that no amount of persuasion will convince them to use anything else. Seen in a prudential and unbiased light, there are pros and cons to all 3 formats, so it is best to objectively deal with it now then move on.

For more info on how to select good music as an up and coming DJ go to www.learnhowtobeadj.com

Jerry K Frempong

Buy Pioneer DJ Package For Learner

If you are like to select the DJ profession, you have to spend money in the turntable. But when it comes to beginner, pioneer DJ turntable is the first step. There is lot of producers providing the pioneer DJ equipment. To get training as DJ, you must buy the best Pioneer DJ package. If you succeed in selecting the correct equipment, you get qualified to become a DJ.

Each and every DJ who is newly entering to the DJ profession, they must put more effort to become DJ. If the person knows anything about the DJ before itself, it is very ease for them to tackle the situation, and they will get some hint on what to do and how to do. The learner of the DJ turntable package must know how to provide music for a person and make one to join in the music. If DJ is just a hobby for a person, he can learn it without interest. But if it is a profession for him, he has to work hard and they have to learn a lot about the way of art.

DJ packages comprise of bundle of tips to follow and the person should not be playful, because the instruction given by the is overloaded by the person, the person will do only which is simple and observation to persons mind. If the person newly enters into the DJ profession, he should know about how to use DJ equipment and ensure that they will use their DJ equipment frequently.

If the person going to buy new DJ equipment, he should ensure which DJ equipment is best to use and they should have a knowledge about which DJ package equipment is covers all facilities. So that every new person into the DJ profession can spend money in one package and they save can save money for purchasing other musical equipments.

If you want to become good DJ you have to buy new books constantly in different places to learn about DJ profession entirely. But if invest your money into a learner pioneer DJ turntable package it will be helpful to investing money in the DJ package equipment.

If the person is well in DJ profession and person can handle if any problems occurs on DJ equipment in future. There is no alternation for each and every good quality and the certified quality. The DJ profession person should have a sense to choose the best musical instrument. If you aware of all the details about DJ equipment you can easily solve the DJ Package issues.

If you have a goal to do best in DJ profession, then you spend money in the gadgets, gadgets is a scope to become best. You can invest your money into buying a good and certified brand name to purchase the musical equipments.

Always ensure your budget before you going to purchase a new learner DJ equipment package and pick any one of the DJ equipment that comes under your budget. Always we should keep in our mind our budget should be surplus then only we can afford everything; if we don’t keep enough money to buy equipment then we can’t able to buy the equipment.

If you want to learn more about DJ equipment, then you should read a product review details which is available in the market place, so that you can get an idea about which one is better brand? And which is affordable price to get the pioneer DJ Package for learner.

About the Author

Alex is a Professional writer working with Gigasonic and he writes articles for Pioneer DJ Package. He written many articles like Buy Pioneer DJ Package and AKG Wireless Microphone. For more information about all our services, go to http://www.gigasonic.com/. Contact him at gigasonic.info@gmail.com

Review of the Tlc CD 3d

3D is the latest release from TLC, and I can only think of one word to describe it… AWESOME!

TLC have been a super stars in the Pop genre for quite some time now and 3D is an excellent illustration as to why.

3D is a nicely varied, mix of 13 tracks that are very well written and brilliantly performed songs by these clearly superb musicians. Most of the songs display a lot of the kind emotion that makes for a really great listen. Seemingly drawing from what I can only imagine are their own real life experiences. At different points touching on the most real emotions of love, heartbreak, pain, failed relationships and unattainable romance. They’re all here.

I give 3D my highest recommendation. It just plain belongs in any serious music collectors collection regardless of genre preference.

While this entire CD is really very good some of my favorites are track 3 – Girl Talk, track 5 – In Your Arms Tonight, and track 7 – Hands Up

My Bonus Pick, and the one that got Sore [...as in "Stuck On REpeat"] is track 13 – Give It To Me While It’s Hot. This is a great track!

3D Release Notes:

TLC originally released 3D on November 12, 2002 on the LaFace label.

CD Track List Follows:

1. 3D – (intro) 2. Quickie 3. Girl Talk 4. turntable 5. In Your Arms Tonight 6. Over Me 7. Hands Up 8. Damaged 9. Dirty Dirty 10. So So Dumb 11. Good Love 12. Hey Hey Hey Hey 13. Give It To Me While It’s Hot

TLC: Tionne “T-Boz” Watkins, Chilli, Lisa Left Eye Lopes (vocals). Additional personnel: Rodney Jerkins (vocals, samples); Tron Austin (vocals); Babyface (acoustic & electric guitars, keyboards, programming); Raphael Saadiq (guitar, bass); Tomi Martin, Danny O’Donough, Tony Reyes (guitar); Colin Wolfe, Shorty B (bass); Sigurdur Birkis, Tom Knight (drums); Riprock, Alex G., Organized Noize (programming); DJ Ruckus (scratches); Debra Killings, Missy Elliot, Chase Rollison, Lester Finnel, Bill Diggins, Mark Pitts, Marde Johnson, Shawn Beasley (background vocals); Eddie Hustle. Producers: Lisa “Left Eye Lopes”, Chilli, Tionne “T-Boz” Watkins, Bill Diggins.

About the Author

Brian McCoy is an industry leading internet marketer and President and CEO of McCoy Marketing Group. His mission is to develop leaders into full time 6-figure earners and home business entrepreneurs.
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Probably the first thing you want to think about before you start spending any money on getting a home recording facility together is, why do I want to record at home?

You probably already know the reason, but the clearer you are about this the better your results will be.

Do you want to just pick up your guitar on a whim and record the latest idea that’s passing by? Do you intend to record an album in its entirety at home and release it? Do you want to make podcasts to broadcast on the web? Do you want to ‘flesh out’ your musical ideas to get an idea of how the final product might sound. All are valid reasons for having your own home recording setup. Each one also suggests a particular amount of money you will need to spend to get the result you desire, and the amount of effort you need to expend making it happen.

What you will need.

From a basic standpoint you will need some way to record your performance or ideas – this could be into a Personal Computer[PC] or mac or onto a stand alone recorder. You’ll also need someway of getting the performance into the recording medium – whether that be via microphone or a piano keyboard. You will also need to find some way to ‘deliver’ your product – via mp3 mix/cd or podcast. All factors to consider as you set up you home studio.

What is best; Computer recording or stand alone?

I will confess that in my opinion and experience, the simplest and most effective way to record anything at home is with a stand alone recorder. Several years ago I recorded an entire album using Fostex DMT8, 8 tracks to do the lot- including backing vocals guitars and eveything. To those of you unfamiliar with what I mean by stand alone recorder then have a look at units from Fostex, Yamaha, Roland and others. In general they have a built in hard drive or media card which records data that you produce as a result of recording yourself. This can be as simple as engaging a ‘record’ button and playing or singing. There’s no fuss involved with this. Some of them also allow you to burn a CD at the end of the process so you can amaze your friends! There can be disadvantages as I will discuss later, but depending on your final aims as discussed earlier, you will make allowances for any shortcomings.

Recording onto a pc or Mac takes us into a more complex word, so if you’re not computer savvy, or prepared to engage in a long and sometimes frustrating journey I’d go with the stand alone unit.

Why is it more difficult to record into a PC?

Recoding into a PC has a minimum of 3 steps:

Input device-microphone/keyboard/turntable

Sound card-converts your ‘real world’ sound into computer language.

Recording software-does the job of ‘capturing’ your performance.

Once you have got your recording chain set up then it ‘can’ be as easy as using a stand alone unit, but to get to that point you have to deal with a number of factors-the #1 bugbear of most home computer recording nuts is a friendly tike called ‘latency’ .

Latency: ‘ something that is revealed later’.

For those not in the know, latency can be compared to hearing your voice echoing back from a canyon, heloooo-hellllllloooo. There is a gap between when you yell and when you hear your voice returned. If you plug in a microphone and set up your recording software and say the ubiquitous ‘hello’ you will get a similar effect!

Unless you invest in a super high end recording system such as ‘Pro Tools HD’, then this is something you need to work with as a home computer recording aficionado.

The reason we encounter latency is that the computer needs time to convert the analogue [physical sounds via electricity] into digital data; ones and naughts. With a good sound card this can take between 7 and 15 milliseconds [ yep that's 15 thousandths of a second] and then about the same number of milliseconds to convert it from a digital signal back into an electrical analogue system that we can usefully use to hear the sound coming out of the computer. Bare in mind that our ear ‘notices’ a sound as an echo at around the 50 millisecond mark [ more on this later] – so if we have a sound card with 25millisecond [ms] input delay and 25 ms output delay then our ear will perceive it as an echo- not much good to play along with as we will be out of time.

That’s pretty useless you might shriek, so how do people manage to do all this computer recording stuff at home? A-ha. Those clever people who make sound cards m-audio, Presonus, Yamaha etc have done something very clever, they instigated a process called ‘direct monitoring’.

Direct monitoring allows us to hear the incoming sound at its source- straight after you have plugged it in- instead of through the computer where you will pick up a substantive delay. You can still listen ‘though the computer’ if you choose, but in my experience it’s pretty distracting especially with large latency times. The other thing that your clever software program/soundcard combo will do is to record your new track in time with the others by making allowances for the current latency times.

In summary; For ease of use and less technology hassles get a stand alone hard disk recorder. For more complex productions consider getting a computer/soundcard/software combo, but be prepared for a sharp learning curve.

For more information on home recording visit www.myhomerecordingstudio.com
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A few decades ago, music media wouldn’t fit in your pocket. Music has gone through a lot of changes in the last 40 years, and not just in the way it sounds. The sound of music has progressed with the changes in trends, and the changes in society, but so has the way we listen to it. Our society has become ever more reliant on technology to help us, to make our lives more convenient, and to entertain us. Look at the way we watched television 30 years ago. Our kids would feel lost without a remote control, but 30 years ago, we didn’t have remote controls or DVD players. Entertainment technology has grown to proportions many of us would never have imagined in childhood. Now blue-gray has taken over, and high definition television is common. In the music industry, changes have been even more drastic.

In the days of Elvis Presley, radios were either large family consoles, or noisy transistors. Records were the only other form of music media. Record stores sold the large round discs to millions of fans to hear a few scratchy songs on a turntable. By the time of Pink Floyd, 8 track cassettes were found in every home and car. 8 track cassettes were revolutionary because they were more portable, and the sound quality was better than a record. 8 tracks were still pretty bulky, and they were difficult to maintain. In the age of Madonna and Michael Jackson, cassette tapes had taken over as the primary music media. The music industry was seeing big profit from the comparable small plastic cassette tape that was even more portable than the 8 track. Small radios could play cassette tapes anywhere you wanted to take them. Cassette tapes saw a long shelf life, but by the time Nirvana was dominating the music industry, CDs were in demand. CDs were a much smaller version of the record, but they were more durable with significantly better sound quality.

CDs are still popular today. Most everyone has CD players in their car, and CD sales are higher than ever. In recent years, though a new music media has become competition for the shiny discs. Digital music has gained popularity and notoriety because of its clear sound quality, and its accessibility. CDs can still be bought in stores and online, but digital music is available on any internet connected computer, and even on many cell phones. Digital music has given the music industry a new way to reach out to more fans than ever, but it has also caused a great deal of trouble. Pirating or illegal downloading of music has become a major legal battle for the music industry. The music industry depends on record sales to profit. Illegal downloading allows fans to obtain music without paying for it, resulting in losses for both record labels and musicians.

The music industry has come a long way from the humble start many years ago. As demands of society changed, the music industry has evolved to meet our needs. In this current digital era, they music industry is facing more conflict than ever before, but like they always have before, the music industry will find a way to overcome.

What’s your top pick in 90s music? You can re-discover old favorites and find other great music online at this free online music site, http://977music.com, where you can hear hundreds of the best songs in 80s, 90s, Oldies, and current music.

1: Cheapest Shure DSH M44 7 H

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After playing with the 44-7g was skeptical to try it. I still get high performance if you use Serato this type of application.

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reat Sound. Great Tracking

I’ll admit I haven’t listened to very many other cartridges, but these were a great replacement for the Stanton 500Bs that came with my T.60 turntables. These have more dynamic range and deliver more bass, and clear highs. The stanton 500Bs had a little bit of distortion in the treble range when playing passages with lots of bass. The Shure’s handle the same passages better, with less audible distortion. I believe part of the distortion I was hearing was due to the straight tone-arms reverberation on the T.60s. I’ve since upgraded to Technic 1200s with the S shaped tone-arms which seems to help as well. 

The main advantage I’ve noticed with this stylus over the Stanton’s is the increased clearance from the bottom of the cartridge to the bottom of the stylus. I have a few warped records that I couldn’t get to play with the Stanton due to the record actually bumping into the bottom of the cartridge. The Shure’s handle these records great with an extra 2mm or so more clearance.

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Pro-DJ Review

If you don’t know Shure’s reputation, you probably are not from this planet… This is the best scratch cartridge ever made !! Perfect sound quality, insane for scratches, loud bass response, long last standing and so on. Do not waste your time and money… GET IT RIGHT NOW !!

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Battle Ready

These are the purfect needles for the world’s most perfect turntable, the Technique 1200’s but they are not limited to use only on 1200’s. These needles can be installed in less than a minute and the needle can handle whatever you throw at it, so you can cut your records down to the bone! The bass sound really comes through well on these babies and they track your records really well which comes in handy for records which seem worn down.

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Top Dj Equipment and Set List Resources

A Mobile DJ is an entertainer that travels to locations to provide entertainment for a specific event. Where will you see a Mobile DJ? You’ll see a Mobile DJ providing entertainment for Birthday Parties, Sweet 16’s, Bar-Bat Mitzvahs, Weddings, Class Reunions, Graduation Parties, Corporate Parties, etc.

Mobile DJ’s (somewhat of an oxymoron before the turn of the 21st century) weren’t so mobile. You would see 2 large turntables, a big mixer, big amplifier, big speakers, huge heavy crates full of 78’s, lots of wires, and just too much stuff and not easily mobile. Although Big Club DJ’s and some “old school” DJ’s still love spinning on turntables, it’s just not efficient for a typical Event DJ. As technology gets smaller and more efficient, DJ’ing equipment is becoming much easier to transport, set-up, and operate.

The DJ’s that use the larger turntable systems look and sound amazing while beat mixing but you won’t see many of them DJ’ing smaller events that may just require some background music. A kid with an iPod, with a good playlist, and speakers can probably provide decent songs while a big turntable mixing system is just overkill. A good mobile DJ with the right equipment can be very profitable and successful at these events and can even begin building a reputable DJ business. As the business builds, and gigs begin to accumulate, it’s important to have DJ equipment that is reliable, easy to set-up, and effective.

When looking for reliable equipment as a Mobile DJ, it’s important to look for “name” brands. Even with name brands, a DJ has a choice between lower quality-lower prices, higher-quality, higher-prices. For MP3 and CD Players, names like Gemini and American Audio are cheaper “name” brands but they are lower in quality than Denon or Pioneer. Numark, previously a mid-level quality company has been reaching new technology (check out Newmarks, NS7FX) that is beginning to compete with the big boys.

Here are some of the most popular Dual CD/MP3 Players with example-averaged prices being used by DJ’s: Gemini CDMP-6000 ($399.95), Gemini CDX-2400 Rackmount ($170.00), American Audio CK 1000 Table Top Dual ($399.00), American Audio Velocity Professional Dual ($599.00), Numark CD Mix-1 Dual (199.00), Numark CDN22 Rack Mount Dual CD Player (149.00), Denon DN-D6000 Dual CD MP3 Player ($850.00), Pioneer CMX-3000 Dual Rackmount CD Player ($1,000).

You can obviously see a price difference but you will experience a noticeable difference in quality between a cd controller selling for $200 as opposed to the Pioneer CMX for a grand.

Some Mobile DJ’s have even decided to make their set-up even more mobile by doing away with CD’s and purchasing MP3 Players that have external hard drive or iPod connections. I run all my parties with MP3’s no CD’s. Although I have a Denon 4500 CD player in my system, it is only used if someone has cd they want me to play.

Here are some of the most popular MP3 players with example averaged prices. Numark’s IDJ Mixing Console for iPod ($160.00), Numark’s IDJ2 DJ Console for the IPod and External Hard Drive connections ($399.00), Numark’s D2 Director Mass Storage Player and Manager, Denon DN-HD2500 Hard Disk Media ($599.00), Pioneer MEP-7000 Professional Media Player with CD Decks ($1400).

Some of these units can be used as controllers for popular Laptop Mixing Software like Traktor, Virtual DJ, PCDC, and Serato Scratch. There are popular controllers like the Vestax VCI-100MV Mixvibes Edition DJ Controller that is specifically designed to control laptop software. Numark’s NS7 DJ ($1300.00) is getting some big attention from Serato users.

If DJ’ing on a laptop, consider using that laptop solely for DJ’ing. Other programs or files on the laptop can slow the necessary processing speed.

Once a Mobile DJ has a player, now a good mixer has to be considered. Again, there are good name brands with lower quality-lower prices and good name brands with higher quality-higher prices. Behringer is a dependable brand on the lower end. Consider the Behringer DX626 Pro Mixer ($100.00), Vestax PMC-280 4 Channel DJ Mixer With Digital Effects ($499.00), Denon DN-X1100 4 Channel DJ Mixer ($700.00), or the Pioneer DJM-800 Professional Mixer ($1,700.00). A Mobile DJ can’t go wrong with any of these selections but the pricier mixers do offer more features like effects, more mic inputs, talk over, etc.

Once a Player is selected, and a Mixer is selected, all that’s left are some good powerful speakers. The best type of speakers a mobile DJ can use is Active/Powered Speakers. Passive speakers would require an amplifier or a powered mixer with more weight added to the rig. A DJ can run an XLR cable out of the mixers, plug directly into the powered speakers, plug the speakers in, and voile, sound!

There are a few decent companies that I could suggest. Here are a few products: Behringer Eurolive B208D Active PA ($180.00), American Audio XSP-10A Powered Speaker ($200.00). Here are the companies that I highly recommend: Mackie, JBL, and RCF. Mackie SRM450 v2 Active PA ($500.00), Mackie SRM350 v2 Active, JBL EON515 450 Watt 15″ Powered ($800.00), JBL PRX535 3 Way 15″ ($1000.00), RCF ART312A or RCFART315A Powered Speakers 15″ ($1100.00).

A Mobile DJ should have a pretty simple Set-up. At this point we have discussed a Media Player (CD/MP3 or only MP3), Mixer, and Powered Speakers. This is all the equipment that is necessary for Mobile DJ.

A good case with a sturdy rack should be considered as well ($200-$400). The Player and Mixer will be screwed down on the top, and in the front of the rack you’ll have the dual cd decks (if a cd player is purchased) and a power strip to plug everything in. Now the rig is; 2 speakers, the case with all the components all safe and secured, a bag with wires (xlr cables, rca cables, etc.), and speaker poles.

Now all you’ll need is music and set lists. Besides learning how the equipment works, this is the hardest part of DJ’ing. Good set lists and great music is what separates good DJs from bad DJs no matter how expensive or elaborate their equipment is. Djs who have been entertaining for a long time have learned from experience what songs work for specific sets.

Where do new DJs or Intermediate DJs go to learn set-mixes that work? A website has been developed for Event/Mobile DJs to give DJs immediate access to Set lists for all types of parties; Weddings, Birthdays, Kids, Sweet 16’s, Graduations, and great mixes for popular dance music, updated monthly. It can also be a resource site for DJ’s to go and get all types of helpful tips, how-to’s, and information, song programming techniques, and event forms.

Being a mobile DJ is fun, exciting, and very profitable! As technology gets smaller and easier to use,more and more people will be trying to master DJ’ing. Technology is only half of the skill. The other half of being a great Mobile DJ is knowing your music and being confident in your set lists. Having Good Equipment and great Musical programming will make a great Mobile DJ in the 21st century. The right training could really help. You can get some great dj tricks and tips at ­DJ Masterminds and get your musical set lists and dj equipment ideas at ­MixesThatWork

About the Author

http://www.mixesthatwork.com is our DJ resource site with valuable information and music programming tips that the most experienced DJ’s are willing to share. With over a Decade of DJ’ing, MC’ing, and Entertaining, I love sharing success with other DJ’s to ensure the quality and standards of our industry.  Signed JJPeterson.

Opt for Quality DJ gear in Brisbane and Gold Coast

There are many young people out there who aspire to become DJs, but most of them do not have the necessary knowledge of what they need to get started. If you are in Brisbane and serious about starting a career as a professional DJ, it is advisable to first begin by investing in basic, yet essential DJ gear in Brisbane that you need to succeed in this profession, for instance a sound mixer, headphones, turntables, and speakers. And as you gain experience and income opportunities, you will be able to upgrade your DJ gear in Brisbane and DJ gear in Gold Coast to more sophisticated DJ systems.

The turntable is one of the most important components of DJ gear that an aspiring DJ must master to be successful. You could easily get DJ gear for hire in Brisbane or Gold Coast. There are many companies that offer quality DJ gear for hire & Sales in Brisbane, Gold Coast, and other other parts of Australia. If you decide to purchase a new turntable, it is advisable to invest in one of the less expensive models since you are just starting with your career as a professional DJ.

It would require a great deal of hard work to reach the highest level of spinning on a turntable and entertaining a packed out dance floor with your brilliant beat. This is a nerve wrecking process which would need a lot of dedication and practice from your end. Once you are confident with your level of skill, you can always upgrade the turntable. A perfect starter model is the popular Techniques 1200 or the 1210. By purchasing quality DJ gear in Brisbane that includes good quality turntable, you will be able to master the art.

Next on the list of essential DJ gear in Gold Coast or Brisbane is a great set of headphones. Sound mixer comes next along with CD and MP3 players that are almost indispensable. The latest buzz in DJ gear Brisbane and Gold Coast is computer DJ. So, practice well and become a successful DJ. Most experienced DJs would recommend the beginners to first practice all types of DJ equipment, before appearing in front of the public.

If you are looking for a reliable, reputed, renowned, and popular online store for purchasing best quality DJ gear in Brisbane and Gold Coast, you may log on to jvgsound.com.au. The company is known for offering a wide range of audio and visual equipment at best market rates.

About the Author

The Author in this article is a Av Equipment  expert who talks about the Dj Gear Brisbane /DJ gear for hire & Sales in Brisbane

• USB Control Surface
• Bass, Mid, and Treble Controls
• CUE LE software with automatic beat matching
• DJ-style crossfader

Product Description
You can be the DJ. Mix and scratch the music on your computer with iCUE. Load the included Numark CUE LE software and plug in iCUE with the standard USB cable and you’re ready to be a star DJ.iCUE works with all of your MP3s and other music. It’s just like working with vinyl records or CDs, except you just drag tracks from your library to the left and right decks on the screen to play them. Then you can cue them up, mix between them with the DJ crossfader, scratch, … More >>

ION Audio iCUE MP3 Computer Music Mixing Station with Software

• USB output: no special drivers required for direct connection to your computer
• Built-in switchable stereo phono/line level pre-amplifier. Permits use of turntable with stereo systems having either magnetic-phono inputs
• PC & Mac compatible
• Fully automatic operation keeps LPs scratch free
• Two speeds: 33 1/3 rpm and 45 rpm
• 2 speed turntable¿33 1/3 and 45 RPM
• Fully automatic operation
• Integral Dual Magnet stereo cartridge with replacement stylus
• Professional aluminum platter
• Switchable pre-amp

Product Description
Get your classic albums off the shelf and into your MP3 player! The Audio-Technica AT-LP60 USB makes it easier than ever to transfer your albums to the digital realm with this new recording system. The AT-LP60 USB stereo turntable comes equipped with a USB output that allows direct connection to your computer. The system also offers: state-of-the-art recording software—Audacity (for both MAC and PC), an integral dual-magnet Audio-Technica phono cartridge, a USB c… More >>

Audio Technica AT-PL60USB Fully Automatic Belt Driven Turntable with USB Port

• Plug & Play USB – no drivers needed!
• Adjustable Anti-Skate control for increased stereo balancing
• 33 1/3 and 45 RPM
• Supports the recording of 78 RPM records through the included software
• Switchable Phono/Line-level RCA output (with built-in pre-amp)

Product Description
The Ion Audio ITTUSB 10 is ideal for archiving your records and preserving them for years to come.With the iTTUSB 10, it has never been easier to preserve your most memorable music favorites to digital media, such as CDs, hard disk, or portable media devices. The iTTUSB 10 sports a sleek design and includes easy-to-use audio recording software for your computer. And with a stereo input (1/8-inch minijack), you can also digitize music from cassettes or other analog s… More >>

Ion Audio TTUSB 10 Vinyl Recording USB turntable with Audacity Software, Dust Cover and Analog Stereo Input

Vinyl Records- A Different Perspective

As we continue to see the sales of CDs fall, it is obvious that the distribution channels of music are changing. But there is no disputing that digital downloads are the new “norm” for many people to acquire their music, be it one ninety-nine cent download or an entire album. As I ponder these changes, I still think that the vinyl record, as prehistoric as it is, is gaining popularity as well as making new fans and believers that this is the best audio format that can be heard.

As a vinyl lover, I am pretty set in my ways; no one has to convince me of the staying power and musical greatness of the vinyl record. So I was thrilled when I had a chance to interview a young man who shares the same views as I do.

I had the distinct pleasure of speaking with a nineteen-year old vinyl lover from Campbell River, British Columbia, Canada named Steve Robertson; who was gracious enough to share his thoughts and views about this old, yet treasured format. What follows is a short discussion with Steve as he shared his passion and love for vinyl records.

I asked Steve what drew him to vinyl, why does he prefer this audio format?

“Vinyl just sounds so much better; it has a unique sound that can’t be duplicated. There is a feeling of satisfaction when actually holding a physical product. And the cover art, not only from the past, but from new artists, is another reason I prefer vinyl records over any other format. I also get a sense of satisfaction in knowing that when I buy an artist’s work on vinyl, that I am supporting the musicians who release it, it just isn’t another free download,” explained Steve.

I asked Steve how long he has listened to vinyl and about what format his friends prefer.

“I have been into vinyl for several years now and vinyl is huge in British Columbia and most of my friends prefer it as well. We both like the clear sound and experience you get when playing a record. And we are interested in DJ-ing, so it fits right in. Last year I purchased a pair of Stanton turntables that have certainly helped me in my DJ-ing efforts and I plan on upgrading very soon to take it to the next level. I love the control that I have playing the music that people want to hear. The goal of a DJ is to take two different songs and blend them together in a smooth seamless way without the crowd knowing. Taking elements of one record and blending them into the other, you can then skillfully mix out the first song until it is just the new track playing. It’s like creating a new song and new music in a way. You make sure to keep up a steady stream, a continuous flow of ups and downs, it’s like telling a story, you want to keep people intrigued and interested in the music,” said Steve.

“I really think that vinyl is coming back, it sure is in our area. If my friends and I had to pick, records would be our choice and the best option to hear our music. But, they are harder to acquire, our nearest vinyl shop is an hour and a half away, so we buy most of our vinyl online.”

I asked Steve about his vinyl record collection and wanted to hear more details about his passion for D J-ing.

“To the first part of your question, I would say that I have over three hundred records, mostly classic rock like Zeppelin or Heart. But I have about seventy-five records that would fall into the electronic dance genre. That is mostly what I play when I DJ because that is what the crowd I play for wants to hear. When you’re mixing records, the control you have over the sound and the way you can manipulate the music is just like playing an instrument. You can blend and put effects on the music using your mixer or you can do some hands on scratching and add your own unique sound to it. As far as scratching goes, it’s a whole new level of DJ’ing because, in a way you are creating a sound that has never been heard before, it’s almost like live production,” explained Steve.

It was certainly refreshing to listen to Steve speak about his love for vinyl records. His enthusiasm for the format was clearly evident and especially welcome to me, a vinyl purist. And we both agreed that whatever musical genre it is that you enjoy, it certainly sounds the best emanating from a vinyl record. And that is a perspective that will help the vinyl record survive, if not thrive.

I want to personally thank Steve for his cooperation and candor in regards to our discussion about vinyl records. It is nice to hear someone from a different generation, not only passionate about the music that he listens to, but about the audio format that he chooses to listen to his music.

About the Author

Author Robert Benson writes about rock/pop music, vinyl record collecting and operates
http://www.collectingvinylrecords.com
, where you can pick up a copy of his ebook called “The Fascinating Hobby Of Vinyl Record Collecting.” Contact Robert at robert@collectingvinylrecords.com

• Transfer your vinyl directly to iPod with no computer needed
• USB connection for optional MP3 transfer to Mac or PC
• Use with your stereo or theater system for listening at home
• Stereo input for converting other music sources
• Universal dock charges and syncs your iPod with your music library

Product Description
The PROFILE series of LP-conversion systems is designed with contemporary, low-profile looks and is finished in sleek, piano black. Each model is designed to capture the music from your vinyl records and turn it into portable, flexible, digital MP3s that you can enjoy at home and on the go. iPROFILE is an LP-to-iPod conversion system with a multi-speed USB turntable. You can play records and transfer them directly to your iPod thanks to iPROFILE’s integrated Univer… More >>

Ion Audio iPROFILE LP to iPod DJ Conversion Turntable

• Turn your records into MP3s using your Mac or PC
• Play records on your home stereo without needing a preamplifier
• Plug-and-play USB computer connection requires no driver installation
• 33 1/3 and 45 RPM settings
• Enables you to transfer 78 RPM albums using included software

Product Description
The most elegant way to rediscover your records. The PROFILE series of LP-conversion systems is designed with contemporary, low-profile looks and is finished in sleek, piano black. Each model is designed to capture the music from your vinyl records and turn it into portable, flexible, digital MP3s that you can enjoy at home and on the go. PROFILE LP is an LP-conversion system based on a multi-speed USB turntable with a dust cover. The turntable has simple USB outp… More >>

Ion Audio Profile LP USB DJ Turntable

• Includes everything you need to DJ with your computer
• Large scratch wheels for natural scratch feel
• Crossfader enables you to mix between songs
• Perfect your sound with Bass and Treble controls
• Automatically matches tempo from one song to the next

Product Description
The ION Discover DJ system easily allows you to mix and scratch your computer music library at your fingertips. Simply load the included MixVibes Cross LE software, plug in the ION Discover DJ and you’re ready to be a star DJ. Mix tracks with the DJ crossfader, scratch, EQ, and even do more advanced DJ effects like pitching up and down! The Discover DJ works with all of your MP3s and other music on your computer. Discover DJ is easy to use and is the perfect way to… More >>

ION Audio iCUE3 Discover DJ System

i started dj’ing at home with turntables, but a friend told me that the american audio v2000 plus amp is too strong for the 300 watts combination of my two technics speakers, i tried to research for myself but couldnt find anything. help please!

Tlc – 3d Pop Music CD Review

The exceptionally talented Pop group TLC have released their CD entitled 3D. I am very confident and happy to announce that I believe TLC fans, and Pop fans alike will be pleased with this one. With the release of 3D their artistic excellence is on full display as they have once again delivered a brilliant collection of tracks that could very well be their best work to date.

It’s a rare day indeed that I get a CD from an artist that I can truthfully say does not have a bad track in the bunch. I’m more than happy to announce that’s exactly what I must say about this one. There simply is NOT a bad one in the bunch. No fillers here at all, with each song standing tall on it’s own.

3D has a nicely varied, mix of 13 tracks that are very well written and brilliantly performed songs by these clearly talented musicians. Most of the songs display a lot of the kind emotion that makes for a really great listen. Seemingly drawing from what I can only imagine are their own real life experiences. At different points touching on the most real emotions of love, and the pain of failed relationships can certainly be heard.

Overall 3D is an outstanding release. Quite possibly TLC’s best to date. Really sensational from beginning to end. If you’re even mildly into Pop music you’ll enjoy this CD.

While this entire CD is outstanding some of my favorites are track 3 – Girl Talk, track 5 – In Your Arms Tonight, and track 7 – Hands Up

My Bonus Pick, and the one that got Sore [...as in "Stuck On REpeat"] is track 13 – Give It To Me While It’s Hot. What a nice track!

3D Release Notes:

TLC originally released 3D on November 12, 2002 on the LaFace label.

CD Track List Follows:

1. 3D – (intro) 2. Quickie 3. Girl Talk 4. turntable 5. In Your Arms Tonight 6. Over Me 7. Hands Up 8. Damaged 9. Dirty Dirty 10. So So Dumb 11. Good Love 12. Hey Hey Hey Hey 13. Give It To Me While It’s Hot

TLC: Tionne “T-Boz” Watkins, Chilli, Lisa Left Eye Lopes (vocals). Additional personnel: Rodney Jerkins (vocals, samples); Tron Austin (vocals); Babyface (acoustic & electric guitars, keyboards, programming); Raphael Saadiq (guitar, bass); Tomi Martin, Danny O’Donough, Tony Reyes (guitar); Colin Wolfe, Shorty B (bass); Sigurdur Birkis, Tom Knight (drums); Riprock, Alex G., Organized Noize (programming); DJ Ruckus (scratches); Debra Killings, Missy Elliot, Chase Rollison, Lester Finnel, Bill Diggins, Mark Pitts, Marde Johnson, Shawn Beasley (background vocals); Eddie Hustle. Producers: Lisa “Left Eye Lopes”, Chilli, Tionne “T-Boz” Watkins, Bill Diggins.

About the Author

New York City Concerts – Upcoming concerts in New York City

The Younger Generation is Into Hip Hop

Music cds and rap music were not heard of during that period, it was all about the vinyl records and rhythm and blues soul. Their music became universal music. If it weren’t for the music and the movement known as hip hop, an entire generations feeling and beliefs would have passed by without being heard. No matter if you like the hip-hop form of music or not, two things are obvious: It sells well and caters to a violent, depraved way of life.

As soon as a new artist hits the airwaves all fans start to imitate their favorite rap artists and start to dress just like them by wearing bling jewelry and clothing accessories. The prolific rise of the rap industry as a mainstay in our cultural landscape is undeniable. The hip hop and rap culture had been promoting this for decades prior and now it suddenly is main stream. A theory on urban fashion jewelry would be that Hollywood has been embracing the urban culture more and more over the years and upon rap becoming more and more mainstream to the extent of when you turn on MTV you no longer have a daily hour segment to rap videos after the hours of rock n’ roll or alternative music, but rather a total reversal where you’d be hard pressed to find any rock videos or anything besides hip hop or rap.

The biggest change is when the hip-hop stated using remixed tracks, this became all the rage and it crossed racial divides which earned the artists recognition. Hip Hop artists need to create a certain type of persona that establishes their masculinity to be accepted by the communities that listen to Hip Hop. In today’s world poets and Hip-Hop artists show their love stories in a way that allows them to maintain there respect.

Even though our culture is forever evolving, we cannot forget how we got where we are. Culture and in depth coverage of the hip hop you want is what they offer. Hip Hop has started in the late ‘70s but become much more popular in the ‘80s, Hip Hop is a mix of rapping and DJing which is mixing and scratching albums on a turntable.

Because everything in the hip hop world is out of this world, it just makes sense that it has its own clothing line. Since Hip Hop has become so popular many celebrities started their own clothing line to fill in the gap of the Hip Hop generation.

When you think of the word hip-hop most everyone associates it with music. In fact, this term has become so widely used, that the Oxford Dictionary has included it, along with “jiggy” and “phat”.

About the Author

David Marc Fishman is the owner of www.bornasuperstar.com The online talent shows for musicians